Currently browsing: Literature and Music Research Group

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Abolhasani, Morteza and Oakes, Steve (2017). Investigating the Influence of Musical Congruity in Higher Education Advertising: A Genre Congruity Perspective. In: Zabkar, Vesna and Eisend, Martin eds. Advances in Advertising Research: Challenges in an Age of Dis-Engagement, Volume VIII. Springer Gabler, pp. 183–196.

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da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

da Sousa Correa, Delia (2012). Musical performativity in the fiction of Katherine Mansfield. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: Essays on Performativity and on Surveying the Field. Word and Music Studies (12). Amsterdam: Rodopi, pp. 71–86.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

da Sousa Correa, Delia (1999). Goddesses of Instruction and Desire: Ruskin and Music. In: Birch, Dinah ed. Ruskin and the Dawn of the Modern. Oxford: Oxford University Press, pp. 111–130.

da Sousa Correa, Delia (2005). The stories of Katherine Mansfield. In: Brown, Richard Danson and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Twentieth-Century Literature: Texts and Debates. Abingdon, UK: Routledge, pp. 68–116.

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

da Sousa Correa, Delia (2015). Music. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. The Encyclopedia of Victorian Literature, Volume III. Chichester: Wiley-Blackwell, pp. 1092–1101.

da Sousa Correa, Delia (2013). Music. In: Harris, Margaret ed. George Eliot in Context. Cambridge: Cambridge University Press, pp. 206–213.

da Sousa Correa, Delia (2007). Victorian Soundscapes and the potential for interdisciplinary exchange. In: Hewitt, Martin and Cowgill, Rachel eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9. Leeds: Leeds Centre for Victorian Studies, pp. 9–36.

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, pp. 99–113.

da Sousa Correa, Delia (2011). Katherine Mansfield and music: nineteenth-century echoes. In: Kimber, Gerri and Wilson, Janet eds. Celebrating Katherine Mansfield: a Centenary Volume of Essays. Basingstoke: Palgrave MacMillan, pp. 84–98.

da Sousa Correa, Delia (1997). George Eliot and the Germanic 'Musical Magus'. In: Rignall, John ed. George Eliot and Europe. Warwick Studies in the European Humanities. Scolar Press, pp. 98–112.

da Sousa Correa, Delia (2013). Katherine Mansfield and Ninteenth-Century Musicality. In: Weliver, Phyllis and Ellis, Katharine eds. Words and Notes in the Long Nineteenth-Century. Boydell and Brewer, pp. 103–118.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. In Katherine Mansfield Studies Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

da Sousa Correa, Delia; Kimber, Gerri; Reid, Susan and Walker, Gina (2012). Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic. Edinburgh University Press, Edinburgh.

Dyer, Natalie; Mackenzie, Hollie; Teggi, Diana and de Vries, Patricia (2022). Pussy Riot Vs. Trump: Becoming Woman To Resist Becoming Fascist. In: Dolphijn, Rick and Braidotti, Rosi eds. Deleuze and Guattari and Fascism. Deleuze Connections. Edinburgh: Edinburgh University Press, pp. 362–379.

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Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

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Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

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Rodgers, Michael (2020). Nabokov's Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, Marie; Loison-Charles, Julie and Poulin, Isabelle eds. The Five Senses in Nabokov's Work. Palgrave Macmillan, pp. 53–68.

Rodgers, Michael (2016). The Will to Disempower? Nabokov and his Readers. In: Rodgers, Michael and Sweeney, Susan Elizabeth eds. Nabokov and the Question of Morality: Aesthetics, Metaphysics and the Ethics of Fiction. Palgrave Macmillan, pp. 51–69.

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Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

Towheed, Shafquat (2013). The science of musical memory: Vernon Lee and the remembrance of sounds past. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Long Nineteenth-Century. Woodbridge, Suffolk: Boydell & Brewer, pp. 104–122.

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Wilton-Godberfforde, Emilia (2023). Parisian surgeons of the seventeenth century and the disciplinary emergence of modern medicine. In: Chardin, Jean-Jacques; Corneanu, Sorana and Somerset, Richard eds. Ordering Knowledge: Disciplinarity and the Shaping of European Modernity. Presses universitaires de Strasbourg, pp. 209–232.


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