Currently browsing: Gender and Otherness in the Humanities (GOTH) Research Group

Vincent, Ben (2020). Non-Binary Genders: Navigating Communities, Identities, and Healthcare. Bristol: Policy Press.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Vincent, Ben; Erikainen, Sonja and Pearce, Ruth eds. (2020). TERF Wars: Feminism and the fight for transgender futures. The Sociological Review Monograph Series, 68 (4). London: Sage.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

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Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2021). A history of our own? Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

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King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

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King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

Watson, Sophie (2021). Epilogue. In: Bramadat, Paul; Griera, Mar; Martínez-Ariño, Julia and Burchardt, Marian eds. Urban Religious Events: Public Spirituality in Contested Space. Bloomsbury Studies in Religion, Space and Place. London & New York: Bloomsbury Academic, pp. 203–208.

Bowes-Catton, Helen (2021). ‘This magical place’: Understanding BiCon 2008 as a heterotopic place-event. Sexualities, 24(7) pp. 851–873.

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Erikainen, Sonja; Vincent, Ben and Hopkins, Al (2022). Specific Detriment: Barriers and Opportunities for Non-Binary Inclusive Sports in Scotland. Journal of Sport & Social Issues, 46(1)

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Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

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King, Helen (2023). Being flesh: bodies, history and Living in Love and Faith. Modern Believing, 64(1) pp. 36–43.

Lister, Kate; Coughlan, Tim and Owen, Nathaniel (2020). Learning Needs, Barriers, Differences and Study Requirements: How Students Identify as ‘disabled’ in Higher Education. Widening Participation and Lifelong Learning, 22(1) pp. 95–111.

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Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). TERF Wars: Introduction. The Sociological Review, 68(4) pp. 677–698.

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Pearce, Ruth; Erikainen, Sonja and Vincent, Ben (2020). Afterword: TERF Wars in the time of COVID-19. The Sociological Review, 68(4) pp. 882–888.

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Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

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Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

King, Helen (2023). From print to wool: Vesalius and the ‘knit your own womb’ movement. In: Représenter le sexe féminin [Uncovering the Female Sexual Anatomy] (Cazes, Hélène ed.), University of Victoria Libraries Press, Victoria, British Columbia, (In Press).