Currently browsing: Items authored or edited by Ben Winters

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

Winters, Ben (2021). 'Magic Fire': a Wagner Film with a Difference. The Wagner Journal, 15(3) pp. 11–22.

• Download Accepted Manuscript (PDF / 1MB)

Winters, Ben (2020). Influence. In: Kristiansen, Morten and Jones, Joseph E. eds. Richard Strauss in Context. Composers in Context. Cambridge: Cambridge University Press, pp. 311–319.

Winters, Ben (2020). Analogue Authenticity and the Sound of Wes Anderson. In: Vernallis, Carol; Rogers, Holly and Perrott, Lisa eds. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. New Approaches to Sound, Music and Media. Bloomsbury Press, pp. 50–55.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Attfield, Nicholas and Winters, Ben eds. (2018). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Winters, Ben (2017). Korngold's Violanta: Venice, carnival, and the masking of identities. In: Winters, Ben and Attfield, Nicholas eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 51–74.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Winters, Ben (2017). Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 531–542.

Winters, Ben (2016). The Composer and the Studio: Korngold and Warner Bros. In: Cooke, Mervyn and Ford, Fiona eds. The Cambridge Companion to Film Music. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 51–66.

Winters, Ben (2016). The sound of satire; or, trading places with Mozart. In: Evans, Mark and Hayward, Philip eds. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, pp. 29–50.

Winters, Ben (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben (2012). ‘It’s all really happening’: sonic shaping in the films of Wes Anderson. In: Wierzbicki, James ed. Music, Sound, and Filmmakers: Sonic Style in Cinema. Routledge Music and Screen Media Series. Abingdon: Routledge, pp. 45–60.

Winters, Ben (2012). 'Music and Narrative', Music, Sound, and the Moving Image Special Issue Vol. 6 Issue 1 (Spring 2012). Liverpool University Press.

Winters, Ben (2012). Music and Narrative: An Introduction. Music, Sound, and the Moving Image, 6(1) pp. 3–7.

Winters, Ben (2012). Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt. Cambridge Opera Journal, 23(1-2) pp. 51–82.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244.

• Download Accepted Manuscript (PDF / 243kB)

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127.

• Download Accepted Manuscript (PDF / 289kB)

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

Winters, Ben (2008). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26.

• Download Accepted Manuscript (PDF / 183kB)

Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140.

• Download Unknown Version (Microsoft Word / 108kB)

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.