Currently browsing: Items authored or edited by Andrew Milne

Milne, Andrew J.; Laney, Robin and Sharp, David B. (2016). Testing a Spectral Model of Tonal Affinity with Microtonal Melodies and Inharmonic Spectra. Musicae Scientiae, 20(4) pp. 465–494.

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Milne, Andrew J. and Holland, Simon (2016). Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance. Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 10(1) pp. 59–85.

• Download Accepted Manuscript (PDF / 1MB)

Milne, Andrew; Laney, Robin and Sharp, David (2015). A spectral pitch class model of the probe tone data and scalic tonality. Music Perception, 32(4) pp. 364–393.

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Milne, Andrew J. (2013). A Computational Model of the Cognition of Tonality. PhD thesis The Open University.

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Prechtl, Anthony; Milne, Andrew J.; Holland, Simon; Laney, Robin and Sharp, David B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 36(1) pp. 42–54.

• Download Submitted Manuscript (PDF / 5MB)

Milne, Andrew J.; Sethares, William A.; Laney, Robin and Sharp, David B. (2011). Modelling the similarity of pitch collections with expectation tensors. Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 5(1) pp. 1–20.

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Milne, Andrew J.; Xambó, Anna; Laney, Robin; Sharp, David B.; Prechtl, Anthony and Holland, Simon (2011). Hex Player—a virtual musical controller. In: The International Conference on New Interfaces for Musical Expression 2011, 30 May - 01 Jun 2011, Oslo, Norway.

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Milne, Andrew J.; Prechtl, Anthony; Laney, Robin and Sharp, David B. (2010). Spectral pitch distance and microtonal melodies. In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

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Milne, Andrew J.; Sethares, William A.; Laney, Robin and Sharp, David B. (2010). Metrics for pitch collections. In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

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Milne, Andrew J. (2010). Tonal music theory: A psychoacoustic explanation? In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA.

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Milne, Andrew J. (2009). A psychoacoustic model of harmonic cadences: a preliminary report. In: 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), 12-16 Aug 2009, Jyväskylä, Finland.

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Milne, Andrew J. and Prechtl, Anthony (2008). New tonalities with the Thummer and The Viking. In: 3rd International Haptic and Auditory Interaction Design Workshop, 15-16 Sep 2008, Jyväskylä, Finland.

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Milne, Andrew; Sethares, William and Plamondon, James (2008). Tuning continua and keyboard layouts. Journal of Mathematics and Music, 2(1) pp. 1–19.

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Milne, Andrew; Sethares, William and Plamondon, James (2007). Isomorphic controllers and Dynamic Tuning: invariant fingering over a tuning continuum. Computer Music Journal, 31(4) pp. 15–32.

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Milne, Andrew; Sethares, William A. and Plamondon, James (2006). X_System.

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